I Like to Watch | The Perfection
I believe that, when creating fiction-based mass entertainment that also addresses major sociopolitical issues, filmmakers need to pull back a step and tell a great story first with the over-the-top social commentary present but in the background.
The stomach tightens and sinks.
The heart and lungs follow.
It’s a confounding reaction to a receipt of affection.
It’s familiar, and, therefore, oddly comforting.
But familiarity can be a curse.
A cursed reminder of what once went wrong when you were just trying to do things right this time.
This time it’ll be different, you say.
Why? You’re different, but what are you doing differently?